- Re:Generative 2025
- conf Series
- Refresh! 2005
- re:place 2007
- Re:live 2009
- Rewire 2011
- RENEW 2013
- RE-CREATE 2015
- Re:Trace 2017
- Re:Trace 2017 – main
- Re:Trace 2017 – Registration
- Re:Trace 2017 – Keynote Speakers
- Re:Trace 2017 – Advisory Board
- Re:Trace 2017 – Award
- Re:Trace 2017 – Program
- Re:Trace 2017 – Conference Chairs
- Re:Trace 2017 – Images
- Re:Trace 2017 – Call for Papers
- Re:Trace 2017 – Practical Information
- Re:Trace 2017 – Venues
- Re:Trace 2017 – Accommodations
- Re:Trace 2017 – Getting There and Around
- RE:SOUND 2019
- RE:SOUND – Main Call
- RE:SOUND – Track 1: Resounding Media Art: Archeologies, Indeterminate Textualities, and Possible Futures
- RE:SOUND – Track 2: Sounding Difference: Gender, Sound, and Technology
- RE:SOUND – Track 3: Sound and Voice: Art Practices and Politics
- RE:SOUND – Track 4: Art and Technology: Methodologies, Practices, Histories
- RE:SOUND – Track 5: Sound Art Curating. Critical Histories, Strategies and Practices
- RE:SOUND – Track 6: Sound within Bodies, Moist Media Practices, Environment and Life-World: Organisms, Geology and Ecological Niches
- RE:SOUND – Track 7: The Return of the Sonic Real
- RE:SOUND – Track 8: Archive, Archives, Archiving
- RE:SOUND – Track 9: General Topics
- RE:SOUND – Struer Tracks: Sound Art, Community and Engineering
- Ph.d. Summer Camp
- Re:Sound – Two Step Open Call for Participation: Step One, First Call
- RE:SOURCE 2023
- Re:Generative 2025
- Call for Proposals – Host Re:2027
- Network
- Declaration
- Archives
- Awards
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TRACK 9: GENERAL TOPICS
This track calls for proposals that do not fit into any of the tracks above, and that are addressing general topics within the field of the histories of media art, science and technology
Chairs:
- Laura Beloff
- Morten Søndergaard