Re:Generative 2025
»
Re:generative call for proposals
conf Series
»
Refresh! 2005
»
Refresh! original site
Refresh! original program
REFRESH! – Call for Papers
programmatic key texts
re:place 2007
»
re:place general programme
re:place – day 1
re:place – day 2
re:place – day 3
re:place participants
Re:live 2009
»
Re:live venues and registration
Re:live themes
Re:live programme
Re:live committees
Re:live sponsors
Re:live proceedings
Rewire 2011
»
LEAF@Rewire
Rewire original site
Rewire Programme
Rewire: Workshop Outputs
Rewire: Call for Papers
RENEW 2013
»
Renew – General Information
RENEW 2013: Programme and Venues
RENEW 2013: Accommodation
RENEW 2013: Proceedings
RENEW 2013: Support and Partners
RENEW 2013: Contacts
RENEW 2013: Registration
RE-CREATE 2015
»
RE-CREATE 2015
Re-Create 2015 : Call for Papers (Closed)
RE-CREATE 2015 : Overview
Re-Create 2015 : Programme
Re-Create 2015 : Documentation
Re-Create 2015 : INFO for delegates travelling to Montréal
Re-Create 2015: Registration (CLOSED)
Re:Trace 2017
»
Re:Trace 2017 – main
Re:Trace 2017 – Registration
Re:Trace 2017 – Keynote Speakers
Re:Trace 2017 – Advisory Board
Re:Trace 2017 – Award
Re:Trace 2017 – Program
Re:Trace 2017 – Conference Chairs
Re:Trace 2017 – Images
Re:Trace 2017 – Call for Papers
Re:Trace 2017 – Practical Information
Re:Trace 2017 – Venues
Re:Trace 2017 – Accommodations
Re:Trace 2017 – Getting There and Around
RE:SOUND 2019
»
RE:SOUND – Main Call
RE:SOUND – Track 1: Resounding Media Art: Archeologies, Indeterminate Textualities, and Possible Futures
RE:SOUND – Track 2: Sounding Difference: Gender, Sound, and Technology
RE:SOUND – Track 3: Sound and Voice: Art Practices and Politics
RE:SOUND – Track 4: Art and Technology: Methodologies, Practices, Histories
RE:SOUND – Track 5: Sound Art Curating. Critical Histories, Strategies and Practices
RE:SOUND – Track 6: Sound within Bodies, Moist Media Practices, Environment and Life-World: Organisms, Geology and Ecological Niches
RE:SOUND – Track 7: The Return of the Sonic Real
RE:SOUND – Track 8: Archive, Archives, Archiving
RE:SOUND – Track 9: General Topics
RE:SOUND – Struer Tracks: Sound Art, Community and Engineering
Ph.d. Summer Camp
Re:Sound – Two Step Open Call for Participation: Step One, First Call
RE:SOURCE 2023
Re:Generative 2025
Call for Proposals – Host Re:2027
Network
»
MediaArtHistory Executive Board
Network
Media Art History on Wikipedia
Site Notice
Declaration
»
Declaration cont.
Archives
Awards
»
Media Art Histories Award for Contributions to the Field
Media Art Histories Emerging Researchers Award
— Main Menu —
Re:Generative 2025
- Re:generative call for proposals
conf Series
- Refresh! 2005
- - Refresh! original site
- - Refresh! original program
- - REFRESH! – Call for Papers
- - programmatic key texts
- re:place 2007
- - re:place general programme
- - re:place – day 1
- - re:place – day 2
- - re:place – day 3
- - re:place participants
- Re:live 2009
- - Re:live venues and registration
- - Re:live themes
- - Re:live programme
- - Re:live committees
- - Re:live sponsors
- - Re:live proceedings
- Rewire 2011
- - LEAF@Rewire
- - Rewire original site
- - Rewire Programme
- - Rewire: Workshop Outputs
- - Rewire: Call for Papers
- RENEW 2013
- - Renew – General Information
- - RENEW 2013: Programme and Venues
- - RENEW 2013: Accommodation
- - RENEW 2013: Proceedings
- - RENEW 2013: Support and Partners
- - RENEW 2013: Contacts
- - RENEW 2013: Registration
- RE-CREATE 2015
- - RE-CREATE 2015
- - Re-Create 2015 : Call for Papers (Closed)
- - RE-CREATE 2015 : Overview
- - Re-Create 2015 : Programme
- - Re-Create 2015 : Documentation
- - Re-Create 2015 : INFO for delegates travelling to Montréal
- - Re-Create 2015: Registration (CLOSED)
- Re:Trace 2017
- - Re:Trace 2017 – main
- - Re:Trace 2017 – Registration
- - Re:Trace 2017 – Keynote Speakers
- - Re:Trace 2017 – Advisory Board
- - Re:Trace 2017 – Award
- - Re:Trace 2017 – Program
- - Re:Trace 2017 – Conference Chairs
- - Re:Trace 2017 – Images
- - Re:Trace 2017 – Call for Papers
- - Re:Trace 2017 – Practical Information
- - Re:Trace 2017 – Venues
- - Re:Trace 2017 – Accommodations
- - Re:Trace 2017 – Getting There and Around
- RE:SOUND 2019
- - RE:SOUND – Main Call
- - RE:SOUND – Track 1: Resounding Media Art: Archeologies, Indeterminate Textualities, and Possible Futures
- - RE:SOUND – Track 2: Sounding Difference: Gender, Sound, and Technology
- - RE:SOUND – Track 3: Sound and Voice: Art Practices and Politics
- - RE:SOUND – Track 4: Art and Technology: Methodologies, Practices, Histories
- - RE:SOUND – Track 5: Sound Art Curating. Critical Histories, Strategies and Practices
- - RE:SOUND – Track 6: Sound within Bodies, Moist Media Practices, Environment and Life-World: Organisms, Geology and Ecological Niches
- - RE:SOUND – Track 7: The Return of the Sonic Real
- - RE:SOUND – Track 8: Archive, Archives, Archiving
- - RE:SOUND – Track 9: General Topics
- - RE:SOUND – Struer Tracks: Sound Art, Community and Engineering
- - Ph.d. Summer Camp
- - Re:Sound – Two Step Open Call for Participation: Step One, First Call
- RE:SOURCE 2023
- Re:Generative 2025
- Call for Proposals – Host Re:2027
Network
- MediaArtHistory Executive Board
- Network
- Media Art History on Wikipedia
- Site Notice
Declaration
- Declaration cont.
Archives
Awards
- Media Art Histories Award for Contributions to the Field
- Media Art Histories Emerging Researchers Award
Re:Trace 2017 – Practical Information
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