| 08:30 | Registration // Audimax |
| 09:00 | Official Opening: Welcome by Rektor Friedrich Faulhammer and Conference Chairs Oliver Grau (Danube U) and Inge Hinterwaldner (HU Berlin) (Patronage: Landeshauptfrau Johanna Mikl-Leitner) //Audimax |
| 09:20 | Keynote by Ryszard KLUSZCZYŃSKI (University of Łodz, PL): Monument as Archive: artistic strategies from anti- to meta-memorial (Introduction by Inge Hinterwaldner) |
| 10:20 | Coffee Break |
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| Stream Media Art & Politics (Audimax) |
| 10:45 - 12:15 | Cybernetics, computing and the question of representation in art
Chair: Jacob WAMBERG |
| Steve DIXON (SG): Understanding Media Art as Cybernetic-Existentialism |
| Gerald NESTLER (AT): Aesthetics of Resolution |
| Kevin HAMILTON (US): Beyond Visualization: Genealogies of Unmapped Complexity in Media Art and Technology |
| Andres BURBANO (CO): The MONIAC and the Arts |
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| Stream Sound (Cinema Kesselhaus) |
| 10:45 - 12:15 | Early experimental strategies in the image-sound-complex
Chair: Wendy COONES |
| Stefanie BRÄUER (CH): Electronic Oscillography in Early 1950s Experimental Film |
| Ashley SCARLETT (CA)/Martin ZEILINGER (UK): Rethinking Affordance |
| Soojung YI (KR): When 'new media art' became the solution to endow cultural identity to its community? The history of new media art in South Korea since 1980s |
| Dmitry GALKIN (RU): Art, Science and Technology in Russia: current affairs and ambitions for the future (from institutional and artistic perspectives) |
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| Stream Early New Media (Room 2.2) |
| 10:45 - 12:15 | Generative Art
Chair: Ksenia FEDOROVA |
| Frieder NAKE (DE): Georg Nees & Harold Cohen. Retracing Origins |
| Caroline MENEZES (UK): From Painting to Coding: The Art of Harold Cohen |
| Sjoukje van der MEULEN (NL): Rethinking Painting: Nechvatal's Computer Virus Project |
| Robin OPPENHEIMER (US): You have been processed! Exploring Early Artists' & Engineers' Collaborations with Video Processing Machines |
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| 12:15 | Lunch Break & Poster Session of Media Art & Digital Humanities projects and research tools in the hall |
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| Stream Media Art & Politics (Audimax) |
| 13:45 - 15:15 | Internet infrastructure under scrutiny
Chair: Katharina GSÖLLPOINTNER |
| David GAUTHIER (NL)/Michael DIETER (UK)/Marc TUTERS (NL): Mailing lists are dead, long live mailing lists! – periodising discourses and infrastructures of nettime, -empyre-, Spectre, and CRUMB |
| Natalia FEDOROVA (RU): Internet of Names. Poetics of Infrastructure |
| Martín NADAL (ES)/César ESCUDERO ANDALUZ (ES): Critical mining, Blockchain and Bitcoin in contemporary art |
| Andre MINTZ (BR): After Internet? F.A.T. Lab's farewell and reconsiderations of the post-internet trope in art |
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| Stream Sound (Cinema Kesselhaus) |
| Session: Sound Art
Chair: Ana PERAICA |
| Biljana LEKOVIĆ (RS): History/Practices of Sound Art in Serbia |
| Joo Yun LEE (US): Speculative-sensible Experience in Ryoji Ikeda’s Audiovisual Installation and Performance Inside and Outside of the White Cube |
| Gabriela Aceves SEPÚLVEDA (CA): Towards an alternative history of Electronic Music: Latin American Women Composers, 1888-1980 |
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| Stream Early New Media (Room 2.2) |
| 13:45 - 15:15 | From Trans-Local to Telematic
Chair: Jon CATES |
| Rod BANTJES (CA): Governing Publics: the Politics of Optical media in 18th-century England and America |
| Patrick LICHTY (AE): the world, Another 24 Hours: Practice-Based Research and the works of Robert Adrian X & Bill Bartlett |
| Paul SERMON/Claire MCANDREW (UK): 3x4: a telematics/architectural hypersurface |
| Joanna GRIFFIN (IN): Creative Encounters and Subaltern Aesthetic in the Early Years of the Indian Space Program |
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| 15:15 | Coffee Break |
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| Stream Media Art & Politics (Audimax) |
| 15:45 - 17:15 | Politics - Ecology, politics, and aesthetics I
Chair: Andres BURBANO |
| Aaron BURTON (AU): Ecological intimacy and unmanned photography: drones, GoPros, and satellites |
| Jens HAUSER (DK): Toward Greenness Studies: Materials – Metaphors – Media – Misunderstandings |
| Yvonne VOLKART (CH): Re-Tracing Aesthetic Strategies in Times of Electronic Waste |
| Viola RÜHSE (AT): Facebook's symbolic Headquarters MPK20 by Frank Gehry |
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| Stream Sound (Cinema Kesselhaus) |
| 15:45 - 17:15 | Modulating sensory perception with media cross-over
Chair: Sjoukje van der MEULEN |
| Katharina GSÖLLPOINTNER (AT): Digital Kinesthesia. Kinesthetic modes of media aesthetics in digital art |
| Nina SOSNA (PT)/Ksenia FEDOROVA (RU): Connective tissues in media interferences |
| Aura BALANESCU (RO): Media Art: Trans-Perception, Trans-Repräsentation, Trans-Consciousness |
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| Stream Early New Media (Room 2.2) |
| 15:45 - 17:15 | Soft and Fluid Media
Chair: Katja KWASTEK |
| Jonas JØRGENSEN (DK): From Soft Sculpture to Soft Robotics: Retracing a Physical Aesthetics of Bio-Morphic Softness |
| Hava ALDOUBY (IL): Shifting Sands: Sand as Medium in Israeli New Media Art |
| Laura BELOFF (DK): Techno-Organic Practices in the Nordic Art |
| Falk HEINRICH (DK): Researchers within Arts–Based Academia: Episteme and Techne Fluidity |
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| 17:30 | Keynote Morten SØNDERGAARD (Aalborg University, DK): Archive Agencies. Tracing the Implied Producers of Media Art Collections (Introduction Jacob Wamberg) |
| 18:45 | Opening Drinks and exhibition tour at Kunsthalle Krems (Welcome by Director Florian Steininger)
Ceremony: MediaArtHistories International Award to Werner Nekes (posthumous), Laudatio by Member of Award Committee Oliver Grau |
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