print / downloadTHURSDAY, OCTOBER 10, 2013: DAY 2
9.30-11.00 : ARCHIVING – PLENARY SESSION
Chair:
Speakers:Bartek KORZENIOWSKI: Static and active archiving – strategies of re-presenting new media artworks
Oliver GRAU: Contemporary (Media) Arts & the Humanities in our Democracies
Annet DEKKER: The value of authenticity for net art, a call for authentic allliances
Hanna Barbara HOLLING: Versions, variations, and variability. Possibilities and potentialities in the preservation of computer based art
Oliver GRAU: Contemporary (Media) Arts & the Humanities in our Democracies
Annet DEKKER: The value of authenticity for net art, a call for authentic allliances
Hanna Barbara HOLLING: Versions, variations, and variability. Possibilities and potentialities in the preservation of computer based art
Venue:
11.15-13.00 : ARCHIVING – PANEL A
Speakers:
Magdalena NOWAK: KwieKulik Archive: Documenting and Preserving Art in Communist Poland
Morten SONDERGAARD: The Media Artist as Functionary: Show-Bix, Århus 1968-71
Leila TOPIC: From New Tendencies to new tendencies: Media art Collection of Zagreb Museum of Contemporary Art
Grahame WEINBREN, Isaac DIMITROVSKY: Showing Artists’ Cinema in the 22nd Century
Ayça BAYARK: Rethinking Museums and the Role of New Media in Representation
Tjarda de HAAN: Project: re:DDS, a case study of webarcheology
Morten SONDERGAARD: The Media Artist as Functionary: Show-Bix, Århus 1968-71
Leila TOPIC: From New Tendencies to new tendencies: Media art Collection of Zagreb Museum of Contemporary Art
Grahame WEINBREN, Isaac DIMITROVSKY: Showing Artists’ Cinema in the 22nd Century
Ayça BAYARK: Rethinking Museums and the Role of New Media in Representation
Tjarda de HAAN: Project: re:DDS, a case study of webarcheology
Kathy Rae HUFFMAN: The archive as a personal exploration
Kristian LUKIC: Media Art, Commons and Artificial Scarcity
Kristian LUKIC: Media Art, Commons and Artificial Scarcity
Venue
11.15-13.00 – PARADIGM SHIFT – PANEL B
Chair:
SpeakersIlva SKULTE: Poetry is/or Art
Marialaura GHIDINI: Where the work is. Discussing post-media conditions after renewed approaches to online artistic production
Damien CHARRIERAS: The gamification of New Media Arts? The effectivities of video game engines in new media arts worlds
Emit Snake-BEINGS: DiY participatory culture: Allowing space for inefficiency, error and noise
Lauren FENTON: A Garden of Machines: human/technological entanglement and the emergence of robotic art
Marialaura GHIDINI: Where the work is. Discussing post-media conditions after renewed approaches to online artistic production
Damien CHARRIERAS: The gamification of New Media Arts? The effectivities of video game engines in new media arts worlds
Emit Snake-BEINGS: DiY participatory culture: Allowing space for inefficiency, error and noise
Lauren FENTON: A Garden of Machines: human/technological entanglement and the emergence of robotic art
13.45-15.15 : ARCHIVING – PANEL B
Chair:
SpeakersNina WENHART: speculative archiving. on piratical ethics and shelf corpses
John HOPKINS: The Energy of Archive
Paul FEIGELFELD: Friedrich Kittler’s Source Code as a Media-Historical Source
Frieder NAKE: Recording and Recoding
Anne LAFORET: Net art preservation : expiration date vs network eternity, using Jodi’s OSS/•••• as case study
John HOPKINS: The Energy of Archive
Paul FEIGELFELD: Friedrich Kittler’s Source Code as a Media-Historical Source
Frieder NAKE: Recording and Recoding
Anne LAFORET: Net art preservation : expiration date vs network eternity, using Jodi’s OSS/•••• as case study
13.34 – 15.15 : EE- HISTORIES – PANEL A
Chair:
SpeakersAndrey SMIRNOV: Music out of Noise, Light and Paper
Adair ROUNTHWAITE: Document to Destroy? Traces of the Exhibition-Actions of the Grupa Šestorice Autora
Aneta PANEK: Paris – Berlin – Warsaw. Experimental Film in France, in Germany and in Poland in the 1970s and the 1980s. Experiment, Autonomy and Subversion
Silva KALCIC: Architecture and New Media Art / Media façades, video and light- installations in the context of Croatian Contemporary Arts
Vytautas MICHELKEVICIUS: Mapping and Archiving Lithuanian Media Art: Regional Failures and Achievements since 2000s
Adair ROUNTHWAITE: Document to Destroy? Traces of the Exhibition-Actions of the Grupa Šestorice Autora
Aneta PANEK: Paris – Berlin – Warsaw. Experimental Film in France, in Germany and in Poland in the 1970s and the 1980s. Experiment, Autonomy and Subversion
Silva KALCIC: Architecture and New Media Art / Media façades, video and light- installations in the context of Croatian Contemporary Arts
Vytautas MICHELKEVICIUS: Mapping and Archiving Lithuanian Media Art: Regional Failures and Achievements since 2000s
15.30-17.00 : ARCHIVING – ON CONSERVATION (in museums and in academia)
Chair:
SpeakersJoanna PHILLIPS: Sustaining Media Art Collections: A New Focus in Conservation
Patrícia FALCAO: Managing Inherent Change
Martina PFENNINGER: Extending Contemporary Art Conservation
Agathe JARCZYK: Building the Foundations for a New Conservation Specialty
Patrícia FALCAO: Managing Inherent Change
Martina PFENNINGER: Extending Contemporary Art Conservation
Agathe JARCZYK: Building the Foundations for a New Conservation Specialty
15.30 – 17.00 – EE-HISTORIES – PANEL B
Chair:
Speakers:Agnieszka JELEWSKA The Algorithms of New Democratisation. Polish Art in Digital Era
Slavo KREKOVIC Tracing Discontinuities: Writing Histories of Experimental Sound-based Media in Slovakia and Central/Eastern Europe
Andrew PATERSON Contextual Media Experiments: Locative axis between Finland and Latvia
Raivo KELOMEESConstructing Narrative in Interactive Documentaries
Slavo KREKOVIC Tracing Discontinuities: Writing Histories of Experimental Sound-based Media in Slovakia and Central/Eastern Europe
Andrew PATERSON Contextual Media Experiments: Locative axis between Finland and Latvia
Raivo KELOMEESConstructing Narrative in Interactive Documentaries
17.00-18.00 : ARCHIVING – PANEL C
Chair:
speakersFrancesca FRANCO: Re:shaping new challenges – the origins and future of a series of interactive generative artworks by British artist Ernest Edmonds, 1980s-2000s
Aurelie HERBET: Immaterial art stock project: conservation challenges and issues of digital art works carried out in online immersive platforms
Laura LEUZZI: Italian video art centres and archives: a treasure yet to discover
Angela BARTHOLOMEW: Chronicling Closure: Digital Initiatives and Virtual Visibility at the Stedelijk Museum (2004-2011)
Geoff COX, Joasia KRYSA, Nicolas MALAVE, Michael MURTAUGH: Acting on/with the Archive: its potential as computational form
Clarisse BARDIOT: A video-annotation software to document digital performances
Sandra FAUCONNIER: The CD-ROM Cabinet: a non-institutional documentation and preservation initiative
Ianina PRUDENKO: Ukrainian media art. Experience of archiving Ricardo Dal FARRA: e-arts conservation: between ethical concerns and practical strategies
Grayson COOKE, Amanda REICHELT-BRUCHETT: Materiality and Digitality en mal d’archive: the “after | image” project
Kari YLI-ANNALA: From Helsinki Film workshop to VILKE, artists media art collection
Jana WEDEKIND: ON:meedi:a – Online Multimedia Archiving for New Media Art
Heinz-Günter KUPER, Jens-Martin LOEBEL: HyperImage 3.0: Of Layers, Labels and Links
Aurelie HERBET: Immaterial art stock project: conservation challenges and issues of digital art works carried out in online immersive platforms
Laura LEUZZI: Italian video art centres and archives: a treasure yet to discover
Angela BARTHOLOMEW: Chronicling Closure: Digital Initiatives and Virtual Visibility at the Stedelijk Museum (2004-2011)
Geoff COX, Joasia KRYSA, Nicolas MALAVE, Michael MURTAUGH: Acting on/with the Archive: its potential as computational form
Clarisse BARDIOT: A video-annotation software to document digital performances
Sandra FAUCONNIER: The CD-ROM Cabinet: a non-institutional documentation and preservation initiative
Ianina PRUDENKO: Ukrainian media art. Experience of archiving Ricardo Dal FARRA: e-arts conservation: between ethical concerns and practical strategies
Grayson COOKE, Amanda REICHELT-BRUCHETT: Materiality and Digitality en mal d’archive: the “after | image” project
Kari YLI-ANNALA: From Helsinki Film workshop to VILKE, artists media art collection
Jana WEDEKIND: ON:meedi:a – Online Multimedia Archiving for New Media Art
Heinz-Günter KUPER, Jens-Martin LOEBEL: HyperImage 3.0: Of Layers, Labels and Links
17.00-18.00 : EE-HISTORIES – PANEL C
Chair:
Speakers:Barbora SEDIVA, Katarina GATIALOVA REMAKE: REthinking Media Arts in C(K)ollaborative Environments
Aleksandra KAMINSKA Hypermediation in the Ruins of Socialism, Or, Concrete Legacies in an Age of Fiction
Peter Tomaz DOBRILA KIBLA 20 years: The Oldest New Media Centre
Irene MACHANDO Cinematic montage and the emergency of media iconic languages
Aleksandra KAMINSKA Hypermediation in the Ruins of Socialism, Or, Concrete Legacies in an Age of Fiction
Peter Tomaz DOBRILA KIBLA 20 years: The Oldest New Media Centre
Irene MACHANDO Cinematic montage and the emergency of media iconic languages
9.30-18.00 – POSTER SESSION: Archiving+Paradigm shift+EE histories
Speakers:Canan HASTIK, Arnd STEINMETZ, Bernhard THULL: Using cidon crm for real-time audiovisual art
Christina VATSELLA: Conserving the new media installation: the challenges of the monitor
Lauren HINKSON: Douglas Wheeler’s Infinity Rooms: Unrealized Media Art History
Heba AMIN: Voices from the Revolution
Esteban GARCIA: Photo and Palette: Early Pixel-Based Computer Art
Jacek SMOLICKI: The role of Sound art as an archiving practice
Laura POTROVIC, Darko JEFTIC: Network in Movement: Movement Museum, Body, Breath, Gaze Multi-museum, Autopoiesis, Transformation, Liminality, Emergence, Presence Trans-museum
Valentino CATRICALA, Elio UGENTI: Recreating Imaginary. Strategies of Preservation, Archiviation and Reuse of Media Art Histories
Sandra MARTORELL, Fernando CANET: The Internet as a Place for Discussion and Preservation of the Art of Film
Franziska HANNß, Esther LAPCZYNA, Rainer GROH: The body-perceiving museum
Christina VATSELLA: Conserving the new media installation: the challenges of the monitor
Lauren HINKSON: Douglas Wheeler’s Infinity Rooms: Unrealized Media Art History
Heba AMIN: Voices from the Revolution
Esteban GARCIA: Photo and Palette: Early Pixel-Based Computer Art
Jacek SMOLICKI: The role of Sound art as an archiving practice
Laura POTROVIC, Darko JEFTIC: Network in Movement: Movement Museum, Body, Breath, Gaze Multi-museum, Autopoiesis, Transformation, Liminality, Emergence, Presence Trans-museum
Valentino CATRICALA, Elio UGENTI: Recreating Imaginary. Strategies of Preservation, Archiviation and Reuse of Media Art Histories
Sandra MARTORELL, Fernando CANET: The Internet as a Place for Discussion and Preservation of the Art of Film
Franziska HANNß, Esther LAPCZYNA, Rainer GROH: The body-perceiving museum
19.00
ART + COMMUNICATION FESTIVAL
EXHIBITION “SAVE AS” OPENING