print / downloadFRIDAY 30TH SEPTEMBER 2011
9.30 – 11.30: SESSION 9
Panel A: Industry, apparatus, control systems
CHAIR: Paul Brown
Simon Hagemann, Robotic artists in Japan since the 1970s
Ian Wojtowicz, The Betweeners
Nadav Hochman, The Noise Complex: Reframing Abstract Expressionism in the Postwar Technological Context
Orit Halpern, Perceptual Machines: Cybernetics, Bio-Politics, and Design circa 1959
Graham Harwood, Contraption, the apparatus of art, sane & mad, secure & risky machines
***
Panel B: Case studies (curatorial and museum work)
CHAIR: Beryl Graham
Beryl Graham, Exhibition histories and new media behaviours
Vince Dziekan, Tate In Space (and Time)
Margaret Schavemaker, The State of the AR(t)
Janis Jefferies, Unleashing Devices: breakdown and the aesthetics of disappointment
Magdalena Tyzlik-Carver, Knowledge commons or souls at work? Curatorial systems and questions of contingency.
***
Panel C: The craft of art (the biological)
CHAIR: Andy Miah
Trish Adams and Andrew Burrell, Hybrid Habitats: the shifting domains of technologically mediated corporeality
Jenny Tillotson, Check The Smell Print
Natasha Vita-More, Human Enhancement: Nano-Bio/A[G]I as Media for Prolonging Personhood
Adele Senior, Henrietta Haunts: Performance, the Archive and the Biological Arts
Kristen Hutchinson, Employing Biomedical Sciences to Envision Illness in House and Christine Borland’s Positive Control
11.30 – 11.45: Tea/coffee
11.45 – 13.10: SESSION 10
Panel A: Media art histories (recent work)
CHAIR: TBA
TBA
Guilherme Kujawski, On Conversation Considered as One of the Fine Arts
Zara Dinnen, Code, Compression, Composition: C-ing the imagetext in Cory Arcangel’s “a couple thousand short films about Glenn Gould”
***
Panel B: Case studies (festivals)
CHAIR: Sarah Cook
Maria X, On Curating Collaboration: Medi@terra 2001
Marina Soler Jorge, Cinephilia, Festivals and Media: the São Paulo International Film Festival and its Audience.
Morten Søndergaard, Flexowriters, Punch Paper Poetry and Visual Music: POEX 65 and the Paradigms of Performative Media Art Practices
***
Panel C: Methodologies (STS and actor network theory)
CHAIR: Charlie Gere
Chris Salter, Performance, Materiality and Active Agency: STS and Temporal Emergence in New Media Studio-Labs
Suzette Worden, Authorship, Interpretation and Consumption in the Digital Arts: the Case for Studying Expertise
13.00 – 14.00: Lunch
14.00 – 15.40: SESSION 11
Panel A: Media art histories (looking back)
CHAIR: Sean Cubitt
Ji-hoon Kim, Machines of the Audiovisual: The Development of “Synthetic Audiovisual Interfaces” in Avant-garde Art Since the 1970s
Frieder Nake, Susan Grabowski and Jörn Ketelsen, The Origins of Digital Media: Algorithmic Art and Computer Graphics
Armin Medosch, Automation, Cybernation and the Art of New Tendencies, Phase 1 (1961-1965)
Ernest Edmonds, A Cybernetic Story: from interaction to influence
***
Panel B: Media art histories (interactive and responsive art)
CHAIR: Beryl Graham
Stephen Jones, Early Interactive Art in Australia
Theresa Schubert Minski, Responsive Art: Exploring Non-intentional Creation and the Influence of Technology in Computer-based Installation Art
Nigel Johnson, “Are we there yet?” – The historical dilemmas of interactive art
Erandy Vergara-Vergas, Rethinking Interactivity in relation to the History of a Site
***
Panel C: Methodologies (education)
CHAIR: Wendy Coones
Jon Cates, Media Art Futures: developing curriculum for teaching Media Art Histories
Mark Smith, Artists’ digital moving image: its impact on learning
Jo Briggs, Situated Digital Art Practices in Northern Ireland: Cultural implications emerging from the implementation of ‘Moving Image Arts’.
15.40 – 16.00: Tea/coffee
16.00 – 17.40: SESSION 12
Panel A: Blindspots (iconoclasts)
CHAIR: Charlie Gere
Harald Klinke, Samuel Morse’ Idea of Progress in both the Arts and Technology
Antonio Bonome García, Burroughs’ Electronic Manifestoes
Sharon Irish, The socio-spatial practice of artist Stephen Willats
Charlie Gullstrom, A Mediated Window to the Stockholm Art and Industry Fair of 1897
***
Panel B: Media art histories (contemporary art ruptures and reconciliations)
CHAIR: Christiane Paul
Christiane Paul, New Media Art and the Mainstream
Eduardo Valle, Is it the history of art repeating itself ? A geopolitical analysis and comparision of contemporary art and media art
Rosanne Altstatt, Media Art Institutions Articulate a Hybrid History
Dorothy Barenscott, Intersecting Worlds of Commerce and Experimentation: Creating Legitimacy for the “Art” of Media
***
Panel C: Methodologies (documentation)
CHAIR: Sarah Cook
Vanina Hofman, Pau Alsina, Natàlia Cantó Milà and Glòria Munilla Cabrillana, Preserving and Documenting Media Art Heritage in the Latin American Context
Stephanie Lauke and Florian Wiencek, Digital Remediation of Visitor’s Experience. A GUI Approach
Alessandro Alfieri, Music video and videoart
17.40 – 18.00: Wine reception
18.00 – 18.15: Presentation
Re: Riga launch
18.15 – 19.15: Keynote
Andrew Pickering, chaired by Paul Brown
**This keynote has been supported by the Computer Arts Society Specialist Group (CAS)**
19.15 – 19.30: Closing address
Mike Stubbs, Rewire chair and Director of FACT
19.30: Close